Where I’m From

I stand in the line at Subway in Alberta, shifting nervously. Each time the young high school student asks me about which bread I want, which meat, or which vegetables, I am confused. I have never been asked these questions before. I don’t know what kinds of bread there are. They are on the sticker on the glass. He points to them. I scan them quickly, trying to hide my shame. I realize later that these questions are predictable, like driving a road you have been on before: you know the landmarks to look for before your turn. But I have never driven this road before. When you know what they will ask, the quick words spilling out of the mouth mean something. I don’t know what these words mean yet. I do not belong. 

I am playing on the beach by the Arabian sea with my siblings, building cities in the sand, as young ladies walk by trying to talk to us. Their hair and scarves blow in the wind as they giggle to each other. They pinch my cheeks, asking me my name – asking me where I am from. This is what everyone asks me. I stare down at the sand and continue my digging. If I ignore them long enough, they go away, usually. I do not belong.

I am in Kindergarten in a small school that is run out of a large house with just a few classrooms. I’m wearing the school uniform of a white shirt, grey shorts, white shoes, and everyone is staring at me. I am in the courtyard. It is lunch time and I am the only kid with white skin and blonde hair. The only one. My stomach is a tight knot, and I wish I could cry, but that would only bring me more attention. I do not belong. 

I am walking outside. I am all ages. I am almost anywhere. Look at the angrez,” the ‘English or white-people’ a child, or a parent, or an old lady or young man calls. Everywhere I go am angrez. Nowadays I want to tell this child I’ve lived here longer than he has. But I know the anger their words build in me is far stronger than any emotion that was put into those words. They are children. 

It is summer – the end of it, and I am riding my bike to my grandparents house. We have been in Canada for almost two months, moving from place to place, visiting family. The joy of ice cream, dill pickles, good burgers, real cheese, crunchy peanut butter, sweet corn, a community swimming pool, riding bikes around town and picking raspberries has begun to wear off. I miss my room in our house at home where we have to mop almost every day to keep up with the dust that collects everywhere, and the gentle thrum of the ceiling fan above my and my brother’s head as we sleep. I miss our little car port where my dad parks our old white nissan. I miss watering the plants on our flat roof, splashing water onto the ground so my bare feet don’t burn on the hot concrete. I am ready to go back to Pakistan. I do not belong here. 

I stand at the doorway to my dorm room in Saskatchewan, not sure how to ask my roommate. “Can you help me use the washing machine?” He is confused. I’ve never used a washing machine like this. He walks me though. He is patient and kind. I’m thankful I’m spared any further embarrassment. 

I am twelve. My parents are talking to someone in Sindhi. I am listening, not quite understanding the complexity of this adult conversation. I tug my dad’s sleeve. “What is he saying?” My dad explains. 

“He doesn’t speak any Sindhi?” They talk like I am not here, like I don’t understand what they are saying. I don’t argue because I don’t. Not all of it. Not enough. Not enough to be enough. I don’t belong.

I am walking along the street to go buy yogurt and some vegetables for our lunch. My mom has sent me out because she forgot to ask my dad to get the things when he was out shopping earlier in the morning. A couple kids shout “ching chong sheea cheecho”. This is apparently what Chinese sounds like to them. And they think I am from China. They have never seen a foreigner before. 

I am in Grade 8 in Canada. I do not know the English word for okra. I’ve never learned it. My classmates look at me like I’m crazy. I’m staring at the word now, spelled out on paper, letting it sink in. I catalogue the words I know where the Urdu comes first. Electricity. Market. Storeroom. Lentils. Flatbread. Tea. Why am I like this? I do not belong. 

I am twenty years old, sitting in a taxi on the way up the hill to my old boarding school for my sister’s graduation. I am overjoyed to be back in Pakistan to visit. Everything is familiar and strange at the same time. The evening air blows in through the open window of the small Suzuki Mehran. I am speaking to the driver in Urdu, talking about my time in Pakistan and asking him about himself. “Your Urdu is not very good.” I smile. Thank you? Do you say thank you to that? Only twenty minutes ago someone in the airport told me I speak Urdu very well. My ego had a short stint of happiness. It’s over now, as I look out the hills at the pine and spruce trees going by. 

I am standing at the post office asking to mail a letter. I am speaking Urdu, and I am thirty years old. The man is asking for my national identity card. I do not have one. I tell him but he doesn’t understand. I have a passport. I show him a photocopy. He is still confused. “But you have a CNIC card too, right?” He is not listening. I pull the blue passport from my pocket and place it on the counter. At last he believes what I’ve been telling him: that I don’t belong. But inside, I’m glowing. 

My wife and I walk through the bazaar close to our house. Our infant son is asleep at home and we are on a night out together. It is winter, I am wearing a chadar wrapped around my shoulders and she has her head covered. We eat street food and later step into a crockery store, looking at the various pots and pans, wanting to replace our pan that is quickly wearing out. The shopkeeper is a brusque bald man with little time for dithering. He knows his pots and pans. He asks us if we are from Gilgit (a city in the mountains of the North). I am so happy. My wife and I look at each other and smile. 

I am walking down the street, going to buy a few groceries from the store. No one looks at me. No one stares. No one does a double take. This is happiness. To be unseen is to be seen. To be unnoticed is to belong. Do I belong?

I am getting motioned over at an army checkpost on the way to the airport. The soldier asks me if I have foreigners in the car. Yes, I say. My sister, brother-in-law and their children are with me. I go with my brother-in-law to the small booth where an officer sits with a large ledger. I have my passport ready to show him. He asks for my brother-in-law’s. He does not ask for mine. He asks me where I am taking them. I say to the airport. He makes a call. He tells his superior officer of some foreigners passing through. They have a Pakistani driver. Yes yes, it’s all fine. They give my brother-in-law back his passport. I wait for a moment, confused, and then turn in delight. I am the Pakistani driver. 

I sit having chai at a chai shop, talking to the owner as he preps the lunch dishes they are making for the day. He knows I am Canadian. Another man sits, smoking a cigarette, chiming in on our conversation here and there. Near the end he asks if I am from Gilgit. I smile. No. And I am in heaven. 

I am walking down towards the house we are staying in for the summer. A teenager passes me on the road. “Hey bro.” He is trying out his slang with me. “Are you from China?” I laugh. This again? Has this guy never watched a movie?

“No.” I laugh. And continue on my way. He calls from behind me. 

“Where are you from?”

This question only gets harder these days. Canada doesn’t describe it. Sometimes if I’m feeling subversive I say Lahore, where we live now, but that’s only been the last four years. I feel deceptive if I say Pakistan, but in those moments when I doubt my claim, it seems strange that I can say I’m from a place that I’ve only spent ten years in, and really mostly in my adult life. And here I am, living more years in a place where I feel, inexplicably, that I am entwined with. So where am I from? 

I’m from never belonging. I’m from running down the sand dunes on the banks of the Indus and feeling the river is mine somehow. I’m from street food, and drinking chai, and buying fruit off carts on the side of the road. I’m from not looking women in the eyes, and from hugs before handshakes with men. But I’m also from liking my privacy, and not liking to talk about how much money I make when people ask. I’m from telling almost everyone I meet that no, I have no way to sponsor you to move to Canada. I’m from politely demuring from offers of chai by shopkeepers. I’m from loving bacon, and having to keep it a secret that I eat it, and from thinking and dreaming in English. I’m from needing a piece of paper every year from the government to let me stay in the country I spent most of my childhood knowing as my only reality. I’m from cherishing my Canadian passport as one of the most precious things I own – the first answer I give on one of those “what would you save in a fire” questions. 

I’m from this land, this people, this language, but I’m not. I am not Pakistani, but there is no me without Pakistan. You don’t live this many years in a place and not have it be a part of you – a part of the way you think and feel. When Pakistan went to war with India for a week in May of this year, an irrational nationalistic hatred pounced out at me from a place I didn’t think existed. When my wife asked if it wouldn’t be prudent to get a flight out to another nearby country until the political tensions relieved, I couldn’t explain to her that I felt like I couldn’t abandon this land I would almost rather fight for than leave. This feeling is the same feeling I felt a few days ago as I stood with my four year old and two year old sons on the way to the bus stop in the town nearby as two Pakistan Air Force JF-17 fighter jets roared in wide circles over the hills. These are our planes. I could feel it. When I stood in line with the kids I was coaching from my school during a tournament in Karachi, tears flooded my eyes as a video of the Pakistani national anthem played showing these scenes of mountains, rivers, people and places that were mine – that were threads of the cloth I was sewn from. This land is a part of me. As I drive in the mountains, or walk in the hills, or sit in the twilight of the city, or drink chai under a grimy fan, I belong. 

I sit on a rock in the forest right next to the path I run some mornings here in the summer, in the foothills of the Himalayas. The cicadas are buzzing in the trees, and birds flit from branch to branch as the morning sunlight slants in through the oaks and pines. I breathe in the smell of the forest: spruce, pine and leaves of the undergrowth. I know this place, and I feel this place knows me. 

I am sitting outside the Hungarian Embassy in Pakistan. I am there to get my citizenship verified. My grandmother happens to be Hungarian and only within the last couple years has my father realized he could have his citizenship as well. And now that he has completed his, my brother and I can complete ours. I am waiting to be called up to the window, sitting under an awning in the breeze of a pedestal fan. It is a hot day for Islamabad, the capital city. A young Pakistani man is sitting across from me in a maroon suit. I ask him why he is here. He is applying for a scholarship to study in a university in Budapest. He looks clean, professional, and nervous. “Are you Hungarian?” he asks. I am not sure what to say. I realize suddenly that I’m basically here at the embassy to say I am. And if this process can be completed, saying yes to that question will be perfectly true. How can I be Hungarian and not Pakistani? How can I truthfully be allowed to be from a place I have never lived and don’t speak a single word of the language, and yet feel I can’t lay claim to a place that has been the home for three generations on my mother’s side, and a land has clothed, fed and raised me for twenty two years of my life? 

I am thirty-two. I am carrying bags of gravel from the trunk of our car to the parking area of the guesthouse we are staying at. I have just driven down to a spot outside a collection of shops and houses where an old man is sitting on a seat cushion laid on top of a stone wall, smoking a cigarette. He greets me with a smile and we talk about the per-foot cost of gravel and about memories from Murree in the years passed. While we talk, a young man shovels five cement bags worth of gravel and helps me load them into my car. Back at the guesthouse, I rake the gravel across the front half of the lot where the mud collects in the monsoon rain. Three young boys walk by the chain-link gate. “Hello,” they say in English. I smile at them. “Where are you from?” They ask. They are about the age of the kids I teach at school. I speak in Urdu. I tell them I’m from Canada, but I live and teach in Lahore. I ask them where they are from. 

“Peshawar,” they say with some pride in their voices. I ask them if they are visiting for long, and if they are staying in the apartments down the road. They say they are here for another week or two. I ask them if their schools are starting soon. I tell them mine begins next week. They all have different start times. There is no anger. There is no frustration. I am still raking the gravel between the conversation, and they smile and begin to move on down the road. “See you boys later,” I say. And that is that. There is no shame. There is no deep questioning of myself and of my place in this world. I am simply myself. 

Reflection

img_2227-e1514640220926.jpg

“What do you do?”

“I’m a teacher,” I answer, looking past the counter to my reflection in the dark floor-to-ceiling windows behind the immigration officer. A teacher? Really?  The person in the reflection looks like he could still be in high school, maybe. I wonder if that wasn’t about how I looked when I left nearly six years ago. A teacher already. When did that happen?

“What do you teach?”

Looking once more at the reflection I’m surprised anyone could buy my story. A little young, don’t you think? They let people your age into the classroom?

“English, History and PE.” I’m not about to explain what Social Studies is. I seem small in the reflection — my usual kamzor, skinny self. I’m going to hear it from the people I meet. They’re always convinced I’m wasting away in Canada or something. Not that I mind that much. It usually just means I get pushed to eat more while I’m here, which is a pretty good problem to have.

“This is this your first time to Pakistan?”

I almost laugh, but I’m too tired to, and I’m not sure he’d find it funny. “No.” How do I even begin to explain? “I’ve been here many times before. I grew up here.” I wonder why he can’t pull me up on their system or something and see how many times I’ve been there. Surely they have the technology for that. Who knows.

He asks me my exact address in Hyderabad. I can never remember it. It’s way too long and complicated, and all I’ve written on the entry card is the name of the “Phase”, the neighbourhood, the city, and the province. Lived in basically the same house for almost eighteen years and I still don’t know the address? Seriously? Drop me off at the highway though and I could find my way to it.

He tells me he’d actually been to the area of my city just the other day for a wedding. I smile. We’re over that hump of feeling like my life is being scrutinized like an weak alibi. He stamps my passport and hands it to me. I smile and thank him, and my reflection turns past the counter and heads toward the baggage claim. I don’t think the jeans help. They make my legs look thinner.


At home, the doorbell rings. I open up the gate for Shanti, the lady that works for us — who’s basically an aunty to all of us kids. She hugs me, asking me how I’m doing. She smiles and adjusts her dupatta as she steps back and takes her shoes off. “You’re so skinny!”

Coming Back

 

above-1839587_1920

I sit on a plane, passing over the cold, northern part of Russia, wondering what it will be like to be back home again. I wonder what it will be like to go back to the familiarness of a world that, in many ways, is so forgotten in my day to day life in Canada.

I wish I had Michelle with me. Somehow going on this trip to revisit Hyderabad once more before the door, to the house at least, is closed forever feels like it’s taking me back into my childhood. Being alone seems to make it all the more a pilgrimage into my past, without my wife, and without any part of my Canadian life with me. I do the trip the same way I’ve done it so many times. It’s hard, but it seems fitting somehow.

The fact that the trip came together so quickly only makes the journey seem more automatic and routine. I’ve missed the anticipation and build-up that normally comes with a trip like this. It isn’t strange or abnormal to find myself navigating through airports alone over Christmas break. It seems second nature. In so many ways it feels like all the times I flew home to visit family over my breaks in high school.  Only this time I have a wife in Colorado that I’m away from, and a life in Canada as a teacher, with responsibilities and classes, and students who struggle to even begin to understand this — this part of me.

Sure, I talk about Pakistan sometimes. They ask questions about what it was like, and we make jokes about serious things like terrorists, or we talk about what the weather was like, or whether it felt dangerous, or whether I was scared; the usual. We laugh, and I move on. Life goes on. And so much of my life I live without giving any of it a thought. I wake up, scrape the ice off the windshield as the car heats up, and drive to school, teach, coach, laugh, talk, come home, relax with Michelle, work, sleep, repeat. There’s no room for this. There’s no room for all that’s in my head sometimes, even though I don’t realize it’s there until a time like this — the self-absorbed soul-searching and questions about my identity; the questions about where I fit in with all of this. And now that I’m married, about where a duo of mixed up internationals fit into the complicated world they live in.

So I put up a little Pakistani flag on my bulletin board, share some stories, make some jokes, and then go on fitting into to where I appear to fit so well. It’s not that I’m trying hard to fit in, or trying not to. It just happens. Pakistan lies dormant inside me, like a dream that I’ve had enough times for it to feel like reality. It’s just that in times like these, as my plane cuts through the cold Russian sky, nose pointed toward Beijing, that I wonder which life is more the reality, and which is a more the dream. Only maybe it doesn’t have to be one or the other.

That Familiar Feeling

As soon as I get back to Pakistan, one of the first things that strikes me is always how normal it all feels. It’s been almost a year and a half since I last saw my parents, but the instant I’m here, it feels as though I never left. From the moment I saw my parents’ faces waiting outside the “Arrivals” door at Jinnah International Airport in Karachi, everything has felt so familiar. At home in Hyderabad I flop onto my parents’ bed with a book, enjoying the fan, while I interrupt my dad at his desk now and then with a question, or whatever I happen to be contemplating at the time. Or I float in and out of the kitchen, talking to my mum, getting fruit from the fridge and making trips to the cooler to fill my yellow plastic KFC mug that each of us kids have had since early elementary. Everything is so familiar that I can hardly convince myself this is different, that it’s just a week of my year — a week I get to spend at home in the Sindh.

There’s something so strangely normal about finally getting where you’re going — finally sitting right there with the person you’ve waited months to spend time with, or sitting there in the car with your parents as you drive back from the airport, a year and a half later. I almost forget it wasn’t like this yesterday. And somehow I want being here to feel as foreign and special as it seemed during the months waiting to be here, but now that I’m here, it’s just not the way it is. It’s all too familiar.

But as I’ve spent these days enjoying the short time I have here in Pakistan, I’m realizing maybe unfamiliarity is overrated. The sense of exoticism, adventure and exploring new places is wonderful, but there’s something very ordinarily magical about the feeling of normal — of familiarity. To be around the people who you don’t have to be anyone with. To know and be known. To be somewhere where you just belong. That’s what home feels like.

I had to tell myself it’s okay to feel normal. While in the Sindh, I felt like I should be taking pictures or writing, to capture and communicate the beauty of the Sindh that I so enjoy, but I just couldn’t find the motivation. I wanted to share it with those who haven’t seen it or been here, but inwardly I resisted, because deep down, I didn’t want to document it. I wanted to just be. I wanted to be myself, at home — to enjoy going to visit with old friends, navigating through the crazy city traffic downtown with my dad, and lying under the dark sky of glow-in-the-dark stars that covers the roof of my room. I didn’t realize how much I just need to be sometimes — to just be thankful a place, people or a moment in silence. To let it wash over me and bask in the feeling of being home, finally.

IMG_2526

I’m learning to enjoy the familiar. Of course, there will always be change and feelings of newness, even in a place that’s normal. Nothing stays the same forever. Even visiting a old place comes hand in hand with some of the pains of seeing it changed and different than I left it. But I’ve realized the value of feeling normal. I’ve realized that there’s a reason the word familiar begins with “family” (almost). Because there’s something so wonderfully refreshing about being back with family, and to embrace that familiar feeling of being around the ones you love, after months and months of being apart — to belong somewhere and to belong to someone.

Life in Pieces: the Attempt of Life Writing

This paper was something I wrote for an English class in university. Thanks to a flexible teacher, and an open invitation for an assignment, I was able to have a lot of fun and tackle a topic that was really meaningful to me. We were asked to write for an audience other than our professor, and to write in a style that would be appropriate for our chosen venue. So, with her permission, I wrote for my blog. I’ve changed some of citation formatting used in the original paper, but other than that, here it is:

***

Life in Pieces: the Attempt of Life Writing

“Where are you from?” The question seemed to suck the air out of the room. Pictures and memories filled my mind. The home that I grew up in. The dusty streets I played in. School in the mountains. Fog and rain hovering over the trees as the monsoons poured from the skies. Too many memories. Then, in Canada, there was my grandparents’ house. Summers spent picking raspberries and running to the community pool.

“Three Hills, Alberta.” It was simpler. No need to explain the torrent of memories with its confusing variety of places. Three Hills was a piece of the truth. A small piece. The real truth was too messy. Where am I from? The answer, if there was one, was in stories — memories and pieces. But people don’t want pieces, they want history. A history that can be fit on a page.

History is not just the story you read. It is the one you write. It is the one you remember or denounce or relate to others. It is not predetermined. Every action, every decision, however small, is relevant to its course… (plaque in Canadian War Museum, Ottawa)

27 December 2007.

Benazir Bhutto is assassinated in Rawalpindi, Pakistan. A man levelled a gun at her as she was leaving a rally, standing in the skylight of a car. She was shot twice — once in the neck. A few seconds later, a second man detonated a bomb he was wearing. Almost two dozen people around the car were killed in the blast.

I remember standing in the darkness on our roof, staring out over Hyderabad at the glow from burning tires, dancing on the walls of apartment buildings nearby. There were people shouting. I could see a figure walking in the dark street below, carrying a large tv he had looted from a store. We had a small stack of loose bricks on the roof. I can’t even remember what we ever used them for. But that night I asked my dad if I could throw one down from the roof. I was fourteen. I suppose it made sense to me at the time. Looters were in the streets below. Justice could be mine to deal out in the form of a brick. They wouldn’t even know where it came from. It would just drop on them out of the darkness. I’m glad my dad said no.

We had people over at our house for a late Christmas get together. They ended up staying the night since it was too dangerous to go home in the rioting. They slept in different rooms around our house. It was like a multi-family sleepover. My dad drove a few families back to their homes in the quiet of the early morning, when the chaos had died down. Soon after, the rioting started again, and no one could go anywhere.

History remembers the death of the first female Prime Minister of the Muslim world. I remember the fires burning across the city. I remember a brick.

History, like narrative, becomes, therefore, a process, not a product. It is a lived experience for both reader and writer (Hutcheon 306).

Prairie Heart

I long to see that surging ocean
of grasses in the breeze,
I long to hear the gentle winds
wash o’er the emerald seas.

I long to gaze across the world
and see where sky meets earth,
I long to breathe the moving air,
that gives my life rebirth.

I long to be on that pleasant sea,
the true pacific calm,
I long to ride the waves of grass,
where a prairie heart is home.

I wrote these lines four years ago. I hadn’t even left Pakistan yet. I never would have written them today. There’s something naive about them — not just in the style, but in the longing. I never actually had a prairie heart. I had pictures from Grandma and Grandpa. Memories from the long drives across Canada the few times we were visiting “home.”

Reading these lines now, I realize what I wanted most. Not to be home in Canada — it felt the least like home — but just to have a home. To belong somewhere. I suppose I thought I could write home into existence. I thought I could write a past I didn’t have. I wanted to be the prairie boy missing home — but I was a boy whose only prairies were the yellow fields I saw in calendars from Canada, hanging on the wall by the light switches in my parents’ bedroom.

***

“You grew up in Pakistan?” At some point the question gets old. I always know what comes next. I’ve it so many times before — that question that was never thought through enough before it came bumbling out of someone’s mouth in an effort to understand. “Pakistan, eh? What was that like?” What was it like? What was eighteen years of my life like? What was eighteen years of travelling, learning, living, loving like?

“Good.” The answer usually seemed as empty as the question. Though, at least they tried. I’m never sure what kind of answer was expected. A quick history of my life? A few colourful descriptors for a country they didn’t know or understand? I never know.

“To write of anyone’s history is to order, to give form to disparate facts; in short, to fictionalize. […] narrativization is a form of human comprehension, a way to impose meaning and form on the chaos of a historical event.” (Hutcheon 302)

We went to a lot of museums, growing up. I would usually run ahead, looking at all the displays while my parents read the descriptions on the exhibits. I wasn’t as patient. History was what I could see — old tools, pottery, weapons, and clothes. Objects from years passed. Objects from foreign places. History. I would stare at them through the glass where they sat protected, contained, preserved; their labels and descriptions filling in the gaps between seeing and understanding.

***

I had a small bug collection given to me when I was a boy. Someone was passing on the small selection: a scorpion, a few butterflies, a large centipede, and a few others. Each of them were impaled with tiny pins to keep them on their display. I always wanted to add to it. I would catch butterflies with all their vibrant colours, wanting to keep them forever and preserve them on my board.

But I was never able to add one to my collection. I couldn’t bear to kill them — to stick that pin through in that piercing act of documentation. And so my board never got more bugs. I can’t even remember what happened to it. It used to sit up on a shelf with its small rows of exoskeletons, collecting dust.

I would try to draw the butterflies instead; sketching the intricate veins that traced through the wings, trying to bring them to life with crayola colouring pencils, as best as my sixth grade scribbling could do. But even these were a flat replica at best. The butterflies were always most beautiful when I saw them free, resting on a flower — their vibrant mosaics opening and closing to reveal their kaleidoscope wings.

My grandparents have a glass display of butterflies at their house, hanging on the wall by the back door. Sometimes I take it off the wall to look at the wings from the other side — the hidden side, with their subdued browns and earthy tones.

Memory

A few days
its deep purple petals
splash their vibrance — a radiant violet
sunset.

But too soon
the stem begins to feel its scar.
Like dried blood, its colour
browns.

In time
each pale and crinkled tissue drops
until only a skeleton stem remains.
It too, soon,
will fade

It took me a while to begin peeling back the layers of memories from Pakistan. I had realized it was easier to be Canadian for conversations. It wasn’t worth having to explain my life story to everyone. Besides, it usually didn’t explain anything.

But alone, on paper I would sink into the recesses of memory — to look at scars of memories I had covered up because they were too complicated to talk about. Good scars. I began to write the stories — to order the places, people, and words. In his book Running in the Family Michael Ondaatje wrote, “History is organized” (p. 26). But people aren’t. Most times my stories don’t seem to have any order at all. They’re just pieces. Good times. Hard times.

***

I used to push back against anything Canadian in me. There was a feeling that accepting the fact that I was here now would mean rejecting the fact that I was ever anywhere else. It was either one or the other. So what was I? Pakistani? Canadian? Both; and yet somehow neither.

Somewhere along the way I accepted that I would never be Canadian. I’d never be Pakistani either. I’d just be stuck somewhere in the middle. Or maybe I wouldn’t. Maybe being stuck in one or the other was what I feared most — the fear that kept me drifting.

***

To write self-reflexively of history as a process in progress, instead of as a completed product, is to breakdown the finality of the formal narrative closure. (Hutcheon 312)

Today, some of the confusion has left. I’m still faced with the impossibility of trying to mediate a past full of memories and experiences that seem to escape me. I try to write glimpses and fragments of a world I can never really capture.

Somehow there is solace in the past. There’s something both frightening and exhilarating about reaching back into memories — rearranging, reordering, reliving. I wonder sometimes if it’s really the past I’m trying to understand or if it’s actually the present. Maybe I’m just ordering the pieces of myself, trying to make sense of it all. But in the end, there’s often little sense to be made. There’s no real story to tell, no lesson — just pieces. Pieces that, in some ways, die the instant they’re put on a page — contained and preserved, their angular skeleton strokes lying in neat rows of letters. They become lifeless, ordered history.

The stories we live are rarely like the stories we read — like those in we find in history. We may try to lay out and describe a person, down to the last bone of their body, but the result is never a person. The Japanese have a style of painting called hatsuboku, or “splashed ink”, where artists splatter ink onto a page and then paint with what is is on the paper — the little drops of black ink, waiting come to life. You have little control over how the paint gets on the page — only what you paint with it once it’s there. Life writing tends to be similar. We don’t choose the events that happen to us, but we make the best of what we are given and paint a picture as well as we can.

Despite the failures of writing in capturing life, there’s something valuable about it as well. It’s a chance to learn and make sense of the jumble of memories and experiences that make up a person. The finished product will be far from the actual life, but it will be an attempt — at best, a sketch of a butterfly with crayola colouring pencils. Like Michael Ondaatje said of his Running in the Family: “The book again is incomplete”(p. 201). Life writing will always be incomplete. It’s only ever an endeavour, in scraps and pieces, glimpses and glances, to capture the life of a person and the memories that make them who they are.

***

Quotes taken from:

Hutcheon, Linda. “Running in the Family: The Postmodernist Challenge.” Spider Blues: Essays on Michael Ondaatje. Ed. Sam Solecki. Montréal, Canada: Véhicule, 1985. Print.

Ondaatje, Michael. Running in the Family. New York: Vintage International, 1993. Print.